Where is my first cup of coffee?

Nadine Sierra (nas)Of course there is, but normality can vary from person to person, regardless of what profession you are in. I think the normality I have found as an opera singer is based on my relationships with my loved ones. Keeping them close to me and maintaining a consistent routine even when traveling gives me stability.

Juan Diego Flórez (jdf)Being an opera singer requires enormous dedication - in fact, it's more of a lifestyle than just a profession. You have to prioritize your voice, your health and your craft in virtually every aspect of your life. However, balance is key; I'm lucky to have people around me who support me, two wonderful children and great friends outside the opera world, so I can enjoy 'normal' moments too. To relax, I like to play tennis, soccer and also go skiing. I am also a passionate cook and enjoy sharing special moments with friends over a glass of good wine.

jdf Not really, maybe on the day of a performance, but not otherwise. However, our voice is an essential part of who we are as singers. It's both our instrument and a reflection of our wellbeing. But I've never been obsessed with it and lead a pretty normal life.

nas No! My first thoughts in the morning are usually about my breakfast and where my first cup of coffee is! I don't spend too much time on my voice in the morning, that comes a few hours before a performance, then of course I sing and prepare myself accordingly.

nas It's very heartfelt! My voice is a big part of me, of course, and I see it as something I'm grateful for. If I ever lost my voice, I would be infinitely sad... yes, even lost. Like losing a beloved friend.

jdf My voice is an essential part of me - something I cherish and nurture. As in any close relationship, there are good days and more difficult days. Sometimes everything goes effortlessly, other times it gets a little more challenging. I try to maintain patience, gratitude and respect. Treating my voice well ensures that I can continue to make music with honesty and passion.

nas I think so, yes. I've been drawn to theater and anything to do with acting since I was six years old. I started taking acting classes and participating in our community theater when I was eight. This feeling has never left me and, to be honest, is growing every year.

jdf I think there is an innate passion that leads some of us to the stage. It's not just about being in the spotlight -
it's the thrill of storytelling, of sharing emotions through music and it's about the intense contact with the audience. Even at a young age, I was drawn to public performance when I sang popular songs with my guitar in Lima. It is the mix of curiosity, passion and the pure joy of the encounter that attracts me again and again.

jdf Waltzes, elegance and Vienna!
Johann Strauss is a central figure in Viennese musical culture. His compositions radiate a lightness and joy that is simply infectious. The music has the magical ability to inspire you - it is light and upbeat. Whenever I hear these sounds, I want to dance and twirl. And the melodies have an enchanting charm that transports you straight to the heart of Vienna. I love Die Fledermaus , for example
Fledermaus, for example, it always puts me in a good mood!

nas(laughs) Dancing! Johann Strauss makes me want to dance and go to a ball!

jdf Zarzuela requires not only vocal ability, but also a deep understanding of the style and spirit of this music. It is rooted in Spanish culture, so you need to have a feel and connection for the flair, rhythm and language. You have to capture its unique passion and energy.

jdf I would describe the zarzuela as dynamic, exciting and passionate. The musical influences are wonderfully diverse: Spanish folk tunes, flamenco rhythms and classical elements, as well as moments reminiscent of European operetta. This combination creates a rich, dynamic genre that tells vivid stories through music while being deeply rooted in Spanish identity.

nas In a way, the challenges are somewhat similar, although I find the "Frühlingsstimmen" waltz even more difficult. The precision of intonation when mastering the coloratura passages in both pieces is enormously important. In addition, you have to pay attention to an accurate rendition of the text and remain effortlessly in the waltz style! Basically, it's all about making everything seem light as a feather and carefree despite the many technical aspects!

jdf It's a question of focus, preparation and attitude. Through years of experience, you learn to get going straight away, no matter how much or how little you sing. Before I perform, I tune in, make an inner connection with the piece and remind myself: "This is an opportunity to give something special!" Even if I only sing one aria, I put all my energy into creating an unforgettable, heartfelt performance. My goal remains the same: to create a relationship with the audience and bring the music to life.

nas To be honest, I try to enjoy myself as if I were performing in front of my friends. As long as I'm having fun and hopefully bringing joy to others in those short minutes, I'm happy!